2009
Multi-Dimensional Functions of Ottoman Poetry
Vildan Serdaroğlu Coşkun
- Osmanlı
Sayfa 2 / 1967,00
A Future Whose Roots Lean in the Past "Yahya Kemal"
BJES Yahya Kemal is a monumental individual, who we can summarize as “a future whose roots lean in the past”. He is the gardener who planted the seeds coming by “The Wind of Old Poetry” to the garden of modern poetry. This statement, which we prepared with reference to the point in which he acted as a bridge between old also notable in terms of reminding our…
Sayfa 12 / 1967,00
A Future Whose Roots Lean in the Past "Yahya Kemal"
BJES however not frequently implemented to the poetry. Our poets, who try to establish free standing poetry and to leave the characteristics of divan poetry, have applied Turkish poetry to the Western poetry however they lack knowledge about on which grounds western poetry based, therefore they were not able to reach the language the innovations that are mad…
Sayfa 11 / 1958,96
A Future Whose Roots Lean in the Past "Yahya Kemal"
BJES an individual state. More importance was given to the western literature and French imagination in the poetry became more effective. Parnassianism and symbolism sciences era poets made understanding of Turkish poetry harder. However, politics to include social subjects and caused poets to be withdrawn. New language and characteristics of wealth of scien…
Sayfa 15 / 1953,60
A Future Whose Roots Lean in the Past "Yahya Kemal"
BJES He has only written “Arrow” poem that is one of the eighty poems that are included to Our Celestial Sphere with syllabic meter. Reason of also defends that it is wrong to be linked with the rules such as writing with syllabi or aruz in the poetry. If the poetry is well told with syllabic or aruz, then that must be used. Also Mehmet Akif has written his …
Sayfa 13 / 1945,56
A Future Whose Roots Lean in the Past "Yahya Kemal"
BJES mentioned “Destiny has given me an opportunity to learn Turkish poetry and its that symbolism, which has effect on Turkish poetry, is worn off and has weaker effect and he also says that the Mallerme which is the second stage of symbolism has created a resurrection in the poetry with words “a line becomes a body when perspective of Mallerme and said “li…
Sayfa 2 / 1442,88
Edip Cansever’in Şiirlerinde Mitoloji
618 Mustafa KARABULUT EDİP CANSEVER'S POEMS MYTHOLOGY ABSTRACT Mythology is an area that for centuries an important place in the literature of many nations. This concept of giving a richness to the world of literature in many areas creates a new perspective for the diversity and depth of the imagination mean to literary genres. In this article you need to pa…
Sayfa 5 / 1942,88
A Future Whose Roots Lean in the Past "Yahya Kemal"
BJES from his words, he mentions that the ending rhyme can be a life saver for poetry which lacks emotion. Next subject after mentioning rhyme is language and wording. It is not groundless that he has written similar poems to Divan poets in terms of language and wording. Language and wording issue is one of the most important criticisms that are made to Diva…
Sayfa 17 / 1940,20
A Future Whose Roots Lean in the Past "Yahya Kemal"
BJES Celestial Sphere. Uskudar is the most important county among them “city that has witnessed conquer”. He narrates Uskudar in the poetry called “Uskudar that lights of Uskudar”. -Purpose of the Yahya Kemal poetry is to transform Turkish hearing into Turkish telling. -Yahya Kemal considered completely national elements in his poetry. In his poetries, Turki…
Sayfa 2 / 1737,96
Vurgulama İşlevli Dil Birimlerinin Nogay Türkçesindeki Durumu
Dilek Ergönenç Akbaba The Status of Accentuating Function Language Units in Nogai Turkish Abstract: As well as elements connected to the verb, such as subjects, objects, adverbs and indirect objects within syntax, there are various language units which possess different functions within the sentence according to the element it is placed in front of, and whic…
Sayfa 6 / 1937,52
A Future Whose Roots Lean in the Past "Yahya Kemal"
BJES the poetry of Yahya Kemal. “Praise to God that i have seen at this sacred sepulcher” and “Attack of free people shouting God, God” sentences that are included to quadrant with title of imperial heard the voiced of soldiers that attempt to attack by wishing the help of God in wars. Another names that are included to his poetry to identify the Supreme Bei…
Sayfa 16 / 1937,52
A Future Whose Roots Lean in the Past "Yahya Kemal"
BJES we can understand that he values spiritualism. Religious feelings and spiritualism for Yahya Kemal are important because these are the elements that belong to us. Love element has important place in the poetry of Yahya Kemal. In his poetry, love or beloved are not told according to certain patterns. It separates from divan literature in this subject as …
Sayfa 10 / 1935,25
A Future Whose Roots Lean in the Past "Yahya Kemal"
BJES Nature in the poetry of Tulip era in divan poetry is presented as motive within the entertainment centers. Nedim is one of the most successful ones that is able to since the entertainment is one of the moving points in his poetry. It is obvious that has used the advanced historical and cultural knowledge for his poetry that he called period of Tulip Era…
Sayfa 7 / 1935,04
A Future Whose Roots Lean in the Past "Yahya Kemal"
BJES element that indicates utmost similarities with the old Turkish poetry of gender and nationality has reached to certain position. Human typing in divan beloved in his poetry is heroes (Leyla,Mecnun,Fehad, Behzad, etc) sultans (Kanuni Cemil Bey vd” who have important position in our cultural history are included to the divan poetry that are written by Ya…
Sayfa 8 / 1934,84
A Future Whose Roots Lean in the Past "Yahya Kemal"
BJES Another issue that has connection with the Classic Turkish Poetry and poetry of Yahya Kemal is material elements. Some of these are beauty, adjectives relating to beauty, appeals, horses, music, soul, azan, voice of azan, rose with blood color, For example, last one of the material elements we have mentioned is used to express the house of Yakub in the …
Sayfa 14 / 1934,84
A Future Whose Roots Lean in the Past "Yahya Kemal"
BJES is individual for himself, he also formed his own Turkish as well. He has written his poetry with Turkish words. According to Yahya Kemal, Turkish is the element that binds us together and maintains us as a nation. Therefore, he has showed sensitivity about using Turkish words. Arabic, Persian and French words he has used are the ones that are settled i…
Sayfa 13 / 1434,84
Sezai Karakoç'un Şiirlerinde Kur(t)uluş Değerleri ve Diriliş Estetiği
40 Veysel ŞAHİN in the widest sense, transferred to the basic knowledge and experience of previous life and inexperiences at the level of basic and imitative. In Karakoç's poems, he re-establishes his past knowledge and accumulation, reminiscent of human history, with his unique symbols and imaginations in the unlimited universe of collective consciousness. …
Sayfa 2 / 2834,84
Disiplinlerarasılık Bağlamında Trt ve Şiir (1968-2008)
19 Disiplinlerarasılık Bağlamında TRT ve Şiir (1968-2008) TRT AND POETRY IN INTERDISCIPLINARITY CONTEXT (1968-2008) Abstract Turkey Radio and Television Corporation is a “neutral” state-owned enterprise which established by a special law to have a autonomous legal personality, in order to perform radio and television broadcast on behalf of the state. TRT is …
Sayfa 2 / 4229,68
15. Asır Şairlerinden Sücûdî ve Şiirleri
204 İlyas KAYAOKAY Bu çalışmayla; bugüne kadar –kısa ansiklopedi maddeleri dışında- hakkında ilmî bir araştırmanın yapılmadığı Sücûdî tanıtılmış ve bundan sonra yapılacak olan yeni çalışmalara zemin hazırlanmıştır. Anahtar Kelimeler: Sücûdî, Dîvân Şiiri, Nazire Mecmû’aIarı, Tezkire, 15. Asır. SUCUDİ OF THE 15TH CENTURY AND HIS POEMS ABSTRACT Sücudi, born in …
Sayfa 9 / 1628,84
Orta Asya ve İdil-Ural Bölgesi Türk Lehçelerinde Belirsizlik Yapısı
HARVARD-KOÇ UNIVERSITY INTENSIVE OTTOMAN AND TURKISH SUMMER SCHOOL IN TURKEY CUNDA, AYVALIK JUNE 29-AUGUST 7, 2009 This program is co-sponsored by the Harvard University Summer School, the Harvard Department of Near Eastern Languages and Civilizations and Koç University in Istanbul, PROGRAM: The Intensive Ottoman Summer School in Turkey (HKU-IOSS) provides p…
Sayfa 1 / 826,80
Hilmi Yavuz’un “Ten Sonnet”si Üzerine Bir Tahlil Denemesi
HİLMİ YAVUZ’UN “TEN SONNET”Sİ ÜZERİNE BİR TAHLİL DENEMESİ Mustafa KARABULUT1 Özet Hilmi Yavuz, Cumhuriyet dönemi Türk şiirinin bireyci şairleri arasında olup şiirinde ses ve imgeye büyük önem verir. O, gelenekle moderni bir sentez halinde kullanmaya özen gösterir. Muhteva bakımından eski şiirimizden başarılı biçimde yararlanan şair, Batı şiirinin de birçok u…